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<title>The earliest preoccupation of man in his awakened thoughts and, as it
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of Perfection<o:p></o:p></span></b></p>

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monograph<o:p></o:p></span></b></p>

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e: Foundation
Course for Facilitators<o:p></o:p></span></b></p>

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normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'><o:p>=
&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>Facil=
itator:
Ameeta Mehra<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'font-size:14.0pt;font-family:"BernhardMod BT"'>(ICIS=
, The
Gnostic Centre, <st1:place w:st=3D"on"><st1:City w:st=3D"on">New Delhi</st1=
:City></st1:place>)</span></b><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:18.0pt;font-=
family:
"BernhardMod BT"'><o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'><o:p>=
&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></b></p>

<p class=3DMsoNormal><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>Conte=
nts<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'font-size:14.0pt;font-family:"BernhardMod BT"'><o:p>=
&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>My Need for Perfection
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<span
style=3D'mso-tab-count:1'> </span>2<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>Living out Perfection
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<span
style=3D'mso-tab-count:1'> </span>7<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>The Road Blocks and the Way Ahead
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;..<span
style=3D'mso-tab-count:1'> </span>12<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>A Symphony of Perfection
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;&#8230;&#8230;&#8230;&#8230;&#8230;.<span
style=3D'mso-tab-count:1'> </span>16<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>The Delight of Works
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<span
style=3D'mso-tab-count:1'> </span>19<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>A Collective Perfection
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#823=
0;&#8230;&#8230;&#8230;&#8230;&#8230;.&#8230;.<span
style=3D'mso-tab-count:1'> </span>22<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>A Dynamic Aspiration &#8230;&#8230;&#8230;&#8230;&#8230;&=
#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230=
;&#8230;&#8230;<span
style=3D'mso-tab-count:1'> </span>24<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:18.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify;tab-stops:right 5.75in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:18.0pt;font-=
family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></b></p>

<div style=3D'mso-element:para-border-div;border:none;border-bottom:solid w=
indowtext 1.0pt;
mso-border-bottom-alt:solid windowtext .5pt;padding:0in 0in 1.0pt 0in'>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center;border:none;
mso-border-bottom-alt:solid windowtext .5pt;padding:0in;mso-padding-alt:0in=
 0in 1.0pt 0in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
"BernhardMod BT"'>Words: 12,922<o:p></o:p></span></b></p>

</div>

<b style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:18.0pt;
font-family:"BernhardMod BT";mso-fareast-font-family:"Times New Roman";
mso-bidi-font-family:"Times New Roman";mso-ansi-language:EN-US;mso-fareast-=
language:
EN-US;mso-bidi-language:AR-SA'><br clear=3Dall style=3D'page-break-before:a=
lways'>
</span></b>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>My Ne=
ed for
Perfection<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>The earliest
preoccupation of man in his awakened thoughts and, as it seems, his inevita=
ble
and ultimate preoccupation,&#8212;for it survives the longest periods of
scepticism and returns after every banishment,&#8212;is also the highest wh=
ich
his thought can envisage. It manifests itself in the divination of Godhead,=
 the
impulse towards perfection, the search after pure Truth and unmixed Bliss, =
the
sense of a secret immortality.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-size:
6.0pt;font-family:"BernhardMod BT"'>Sri Aurobindo, <i style=3D'mso-bidi-fon=
t-style:
normal'>The Life Divine</i>, p.1<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>My
search is for perfection. All human beings are imperfect &#8211; that I kno=
w.
But some strive towards perfection, some achieve a measure of perfection in
their works, some excel themselves in their endeavour to create something
perfect. I wish to belong to this lot. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>What =
tells
me that my effort is imperfect?</span></b><b style=3D'mso-bidi-font-weight:=
normal'><span
style=3D'font-family:"BernhardMod BT"'> </span></b><span style=3D'font-fami=
ly:"BernhardMod BT"'>First
of all, it is a comparison with others who I consider to be ahead of me in =
this
field. Looking at them I am always impressed by their zeal, their passion,
their complete involvement in what they are doing. I have seen different ki=
nds
of people even within this lot &#8211; there are those who bring this attit=
ude
only to certain areas of their lives or activities, based on their own likes
and calling, there are others who extend the attitude to include even areas
outside of their personal interest and apply it to whatever they are called
upon to do, but still the little daily acts might or might not be included
&#8211; for instance, washing a plate, or moving a chair, etc. And then I h=
ave
also seen those whose every act indicates an engagement with perfection &#8=
211;
though this I have seen more as a phase in a person&#8217;s life rather tha=
n a
constant trait.<b style=3D'mso-bidi-font-weight:normal'><o:p></o:p></b></sp=
an></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Thus,
I am looking at </span><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>three types of perf=
ection</span></b><span
style=3D'font-family:"BernhardMod BT"'>:<o:p></o:p></span></p>

<ol style=3D'margin-top:0in' start=3D1 type=3D1>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l9 level1 lfo1;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Perf=
ection
     in something that I love doing<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l9 level1 lfo1;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Perf=
ection
     in whatever work comes to me<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l9 level1 lfo1;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Perf=
ection
     in each and every act of life<o:p></o:p></span></li>
</ol>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Another
indicator of imperfection or a comment on my level of perfection is the res=
ult
of my endeavour. But before I expand on that, I need to clarify what I mean=
 by
&#8216;result&#8217;. I include not just the end product but also the feeli=
ng I
am left with after the work is over. At times, the end product might be
appreciated by others, might seem impressive, but I experience a shallow
feeling &#8211; this often happens with my evaluation of the workshops I fa=
cilitate
for teacher students or teachers. At times, it is just the opposite, the
feedback is not very positive, yet I am quite content.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>What
evokes this feeling in me &#8211; of content and discontent? It is to do wi=
th
the sense of having put in one&#8217;s best or having been sincere to
one&#8217;s own capacities and consciousness, or having made a sincere effo=
rt
to invoke and call down something higher to act upon the participants.<o:p>=
</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Similarly,
in a field of material action, for instance, drawing something that I exper=
ience
or see inwardly &#8211; there are times that I am quite satisfied with my p=
oor
strokes (for, I have hardly any skill as an artist), for, to me they convey
that experience or that vision, even if incomprehensible to others. Here, I
accept my limited skills and focus rather on the intention and if that
intention carries itself through, I experience satisfaction. But the same is
not true in the field of construction &#8211; there I castigate myself for =
each
and every flaw that shows up in the physical.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>What
creates this difference &#8211; in the quality of work as well as the effec=
t it
has on me? Essentially it is the egoistic and divisive nature of the being
&#8211; seeing things as &#8216;mine&#8217; and &#8216;not mine&#8217;.
Whatever the vital chooses for me, I accept it as mine and engage with it. =
The
rest, even if mentally accepted as &#8216;my responsibility&#8217;, unless =
and
until accepted by the vital too, remains on the periphery of my consciousne=
ss
&#8211; not really worth engaging with in all sincerity. What I call
&#8216;inner connectivity&#8217; or &#8216;vision&#8217;, very often is the
vital preference and desire parading as something higher. <o:p></o:p></span=
></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>There
is another insincerity linked with it &#8211; the mental remorse at not
achieving perfection can itself be a hindrance if the vital&#8217;s resista=
nce
to the work is not acknowledged. The remorse can be self-righteous, making =
one
feel that one is actually unwilling to accept imperfection and is very
conscientious, but all the while, the vital has no intention of letting one
move beyond the remorse and actually confront the resistance and the divisi=
on
in the being and dissolve it by holding it up to the light. It is not enoug=
h to
feel bad about something, the proof of one&#8217;s intention is in the acti=
on
one follows it up with.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Thus,
I see that </span><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>the imperfection ar=
ises
from</span></b><span style=3D'font-family:"BernhardMod BT"'>:<o:p></o:p></s=
pan></p>

<p class=3DMsoNormal style=3D'margin-left:39.0pt;text-align:justify;text-in=
dent:
-.25in;mso-list:l7 level1 lfo2;tab-stops:list 39.0pt'><![if !supportLists]>=
<span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>1.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>Lack of inner connectivity &#8211; l=
ack of
a vision that needs to be expressed in a material form &#8211; arising from=
 an
essential division in the being <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:39.0pt;text-align:justify;text-in=
dent:
-.25in;mso-list:l7 level1 lfo2;tab-stops:list 39.0pt'><![if !supportLists]>=
<span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>2.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>Lack of the vital&#8217;s collaborat=
ion in
the work and its ability to fool the mind <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:21.0pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
lack of knowledge/skill is only a secondary factor that the mind uses to
justify the lack of perfection &#8211; knowledge and skills though importan=
t,
their lack is not the real cause for imperfection. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>What =
is the
way forward?<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Unless
the urge for perfection becomes also a desire in the vital &#8211; and not =
just
a mental conviction &#8211; the road remains difficult. The true attitude, =
i.e.
the psychic attitude &#8211; whenever it is there (such as in <st1:City w:s=
t=3D"on"><st1:place
 w:st=3D"on">Pondicherry</st1:place></st1:City>), elicits the vital&#8217;s
collaboration, but the challenge is to maintain that attitude in everyday l=
ife.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Whatever
be the area of progress or the block in one&#8217;s nature that one
experiences, it generally comes back to this one point for me &#8211; the m=
ind
knows what is the right thing to be done, but the vital refuses collaborati=
on
and the psychic is not sufficiently in front to ensure the vital&#8217;s
collaboration in daily life. Though I have not directly taken up this issue=
 in
this monograph, I experience this as the only lasting solution for all
one&#8217;s problems &#8211; all the rest being supports on the way as one
gradually prepares the being for psychicisation.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
know, even though sporadic, the urge for perfection comes from the psychic
&#8211; still I want to explore its specific manifestation in my being so t=
hat
I can understand it more thoroughly in its working and use that knowledge t=
o discover
ways to embed that urge even in the vital. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>Why d=
o I
feel this impulse towards perfection?</span></b><span style=3D'font-family:=
"BernhardMod BT"'><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>It
wasn&#8217;t always so. All through my school and college life I was quite
content to put in the least effort as long as I managed to pass. I never ai=
med
to be the best student or to do as best as I could. My self-exertion was in=
 the
field of morality &#8211; I had many do&#8217;s and don&#8217;ts for myself=
 and
others, and there I not only exercised a discipline on myself but exerted an
influence on my friends too. Other than that, even in an area self-chosen i=
n a
moment of being touched deeply by a beautiful movement of the dancer (I got=
 my
father to appoint a private dance teacher for me at the age of 8), I did not
exert myself and had longer periods of lazy and unwilling endeavour than
serious self-application. On the other hand, books and my childhood heroes =
from
these books had a great impact on me and I would endeavour to outgrow my
weaknesses and model myself on these characters.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>After
graduating I tried putting in practice my plans for an easy life of music,
languages and travel. It was in that one year that I suddenly discovered th=
is
great need to engage myself in something useful and thereafter began my wor=
king
life. It was through work that I discovered my need and capability for hard
work, good work. Gradually this need changed into a need to effectuate a ch=
ange
in society &#8211; my own social milieu. That brought me into the field of
education and I was introduced to the self-change philosophy of Sri Aurobin=
do
and the Mother, through Mirambika (the school I joined for learning how to
teach).<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>My
first year in Mirambika was a new birth for me. My life now took a spiritual
turn &#8211; progressively deepening over the years, although, I resisted t=
he
idea of &#8216;yoga&#8217; for many years as it frightened me with images o=
f a
dry bare life, bereft of even the small pleasures of life. What really hook=
ed
me was the emphasis on change of nature and the link between attitudes,
one&#8217;s state of consciousness and the outer circumstances. I remember
expressing the need for &#8216;integration of my person&#8217; in my first
interview for joining Mirambika. Over the years it is this need for
&#8216;integration&#8217; that has taken the form of the need for
&#8216;perfection&#8217;. <span style=3D'mso-spacerun:yes'>&nbsp;</span><o:=
p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Mirambika
was a passion for me and I gave myself intensely to it. I worked long hours,
got involved in all aspects and engaged quite seriously in self-change. I s=
till
did not turn into a &#8216;perfectionist&#8217; &#8211; doing everything
perfectly for the sake of perfection &#8211; but my inner engagement with e=
ach
issue, the children, my colleagues, the future of the school, etc. drove me=
 to
commendable levels of teaching, team work, multi-tasking, etc. Even though I
can see imperfections in that work today, it was a sincere endeavour at
perfection without any such conscious aim &#8211; it was a labour of love a=
nd
that is what gave it its specialness.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>A
new chapter began for me after leaving Mirambika and joining up with Ameeta=
 and
Ritika to begin The Gnostic Centre. On 29<sup>th</sup> February, 1996, at d=
awn,
we offered the first brochure of the Gnostic Centre at Sri Aurobindo&#8217;s
and the Mother&#8217;s feet. All of us had worked hard for it and I received
Sri Aurobindo&#8217;s blessings in a dream-experience at night. This came at
the end of a sustained effort at selfless self-giving.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>This
was remarkably different from my earlier experiences. Mirambika evoked a hi=
gher
vital response from me, with the engagement of the psychic. The Gnostic Cen=
tre
was a sense of fulfilling my destiny &#8211; of being part of a work that w=
as
appointed for me by the Divine, by my own soul, my destiny. The philanthrop=
ic
urge that had started me off on the educational journey, had graduated to
effectuating change in oneself first. But now, once again, a larger work was
opening before me &#8211; but this time there was no philanthropic urge beh=
ind
it. It was simply something that needed to be done &#8211; something decree=
d,
something awaiting manifestation &#8211; an idea whose time had come.
Everything seemed right about it.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>It
was a difficult journey for the vital and the mind, for nothing was based on
preferences &#8211; neither the choice of colleagues, nor the choice of wor=
k,
nor the way of working. While the psychic always remained engaged, the vital
disengaged often. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
think it was Ameeta who introduced the idea of perfection to me &#8211; I
remember her emphasis on &#8216;self-exceeding&#8217; and of &#8216;putting
consciousness in work&#8217; and of doing it as perfectly as possible. It
evoked a yearning in me &#8211; whenever I watched her, Ritika or Seema at
work, I felt quite inadequate for I lacked that intensity, that ardour. At =
the
same time even though I worked pretty long hours in the first few years, of=
ten
going sleepless for nights in a row whenever a journal issue was to be made
ready (i.e. every two months), or a multimedia or an event, something kept
gnawing at me that my work was not perfect.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>At
Mirambika I had got used to praise most of the time, people looking up to m=
e.
Here, I was suddenly catapulted into an abyss. Huge areas of darkness opene=
d up
within me and if Mirambika had been a new birth, this was like a death &#82=
11;
at times I felt that I had turned into a monster and I could not recognize
myself; with an effort I had to remind myself of who I was or had been and
could still be. Praise from others was quite infrequent or conditional. I g=
ot
used to criticism. Everything I would ascribe to a lowness of consciousness=
 in
myself. While in principle I still believe in it, I think I overdid it and
allowed others&#8217; comments to pull me down badly. It was difficult.<o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>But,
all of us learnt. While on the one hand was this deep sense of an inner
connectivity with the work, the team, the outer natures were not connected =
at
all. Gradually I endeavoured for an impersonality in work, in relationships.
This led me to the other extreme of aloofness, harshness and coldness, and a
dryness in work. My moralistic nature now surfaced as do&#8217;s and
don&#8217;ts in work and I would judge everyone very strongly, justifying my
self-righteous stance as &#8216;sincerity to work&#8217;. This too created
problems, for me and for others. And ultimately, the work too suffered.<o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>As
pointed out by the Mother in her advice on &#8216;using life as a
mirror&#8217;, it was truly a case of getting bothered by imperfection arou=
nd
me, in others, for I did not have the courage to face the imperfection in
myself and felt frustrated by it &#8211; so I hit out at others. This was a
very different person to what I had known myself to be.<o:p></o:p></span></=
p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>It
is not that all my work was imperfect. I was very meticulous in certain are=
as
of my work. But it was work based on the ego &#8211; by now I had experienc=
ed a
difference between work done as an invocation, an offering &#8211; when thi=
ngs
happened, poems or articles got written, without too much interference from
oneself, when one felt a higher energy, grace, consciousness upholding and
intervening, and the work done by depending upon one&#8217;s own capabiliti=
es.
The capabilities I was proud of now seemed like hindrances. But I could also
not become passive, refusing to give effect to something because I did not =
or
could not invoke the Grace. This was a dilemma I constantly struggled with.=
<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
&#8216;managed&#8217; to do things well, but it did not leave me with any s=
ense
of growth. In special events such as the facilitation of a workshop &#8211;
which happened occasionally, I did make a special effort and invoked and th=
en
it left me satisfied. But it also depended on how much of it I could sustain
through the entire duration of the workshop. Whenever I was in Pondicherry,
enveloped by the Presence of the Mother and Sri Aurobindo, indrawn,
spontaneously happy, this &#8216;remember and offer&#8217; seemed the most
simple and natural attitude to take. But back here, in the midst of work, it
all disappeared very soon.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Gradually
the need for integration turned into a need for intensification of
consciousness, for I experienced that when the consciousness was inwardised,
intense, I felt integrated. And intensification of consciousness appeared t=
o be
the key to perfect work. The need for perfection took shape in my being due=
 to
my engagement in a spiritual journey. But this journey also made me redefin=
e my
understanding of what is perfection. This is something I will explore furth=
er
in the next chapter.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>With
reference to the extract from Sri Aurobindo, quoted at the beginning of this
chapter, &#8216;the impulse towards perfection&#8217; is my lever for growt=
h at
present. </span><span style=3D'font-size:10.0pt;font-family:"BernhardMod BT=
"'><o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: Imperfection in a=
ction
is due to an inner disconnect that occurs because of the vital&#8217;s refu=
sal
to collaborate in a higher life. The way forward is through an intensificat=
ion
of consciousness and engaging the vital&#8217;s energies in the urge for
perfection.<o:p></o:p></span></p>

<span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-fo=
nt-family:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'><br clear=3Dall
style=3D'page-break-before:always'>
</span>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>Livin=
g out
Perfection<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-family:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>Our imperfection to=
wards
perfection toils,<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-left:3.0in;text-align:ri=
ght'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>Sri Aurobindo, <i
style=3D'mso-bidi-font-style:normal'>Savitri: A Legend and a Symbol</i>, p.=
623<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>To seize the absolu=
te in
shapes that pass,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>To fix the eternal's
touch in time-made things,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>This is the law of =
all
perfection here.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-left:3.0in;text-align:ri=
ght'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>Sri Aurobindo, <i
style=3D'mso-bidi-font-style:normal'>Savitri: A Legend and a Symbol</i>, p.=
108<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in'><span style=3D'font-family=
:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
end of the Foundation Course retreat in Nainital this August, left me
reflecting on what really was the core issue I was grappling with. Till the=
n I
had focused mainly on &#8216;intensification of consciousness&#8217;. But n=
ow
it was not enough to think only of intensification. What was coming in the =
way?
The first words which arose in my consciousness were &#8216;lack of
self-giving&#8217;. This was not the first time this realization had come to
me. I delved further. The lack of perfection in my work seemed linked direc=
tly
to this lack of self-giving. What was behind this lack? The answer seemed
embedded in an aspect of the lower vital&#8230; perhaps, the refusal to giv=
e up
small pleasures?<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
did not go any further. I felt a need to hold on to something concrete,
something tangible, something that could be measured so that there could be
outer parameters as well to indicate the measure of my inner progress.
Perfection in work seemed concrete enough as presently one of the works I am
involved in is construction where the imperfections and perfections are cle=
arly
visible &#8211; there is no fudging.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>That
is how this monograph emerged. But how could I write something unless it wa=
s a
lived experience? I did not want to consult books or mould my behaviour to =
any
definitions &#8211; the need was to bring forth the knowledge on this issue
that I sensed within. I decided to maintain a journal of reflections and see
what came up. This writing also helped me to keep the aim of
&#8216;perfection&#8217; alive in my consciousness during the working day, =
and
even at home, in family setting.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
following are my </span><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>reflections on what=
 is
perfection for me</span></b><span style=3D'font-family:"BernhardMod BT"'>. =
But
these are not mere reflections &#8211; they derive their meaning from the w=
ork
that evoked them &#8211; therefore, I present here the notings from my jour=
nal
that contain aspects of engaging with &#8216;what is perfection&#8217; and =
</span><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:16.0pt;font-=
family:
"BernhardMod BT"'>&#8216;how can I move towards perfection&#8217;</span></b=
><span
style=3D'font-family:"BernhardMod BT"'>, through the day, in work&#8230; &#=
8230;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>19<sup>th</sup> Aug&#8217;2006<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>Today
I noticed an unwillingness to follow-up on earth tunnel appointment. Notici=
ng
it I immediately forced myself to follow up. Though nothing came of my call,
the people did arrive, though two hours late, and the work was done. Am try=
ing
to do the same with other follow-ups on construction &#8211; noticing the
resistance and breaking through it.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>Perfection
is in immersing oneself in the moment; forgetting oneself &#8211; not in
unconsciousness, but in consciousness &#8211; in an identification of
consciousness with what one is engaged with. To get rid of this constant
self-watching, self-weighing and judging, self-awareness that binds one to
self. This focus on the outer self and identification with it has to transm=
ute
into a focus on the inner self, tuning into, identification with it. Only t=
hen
comes perfection. The skill is &#8211; has been learnt, but the eyes have t=
o be
inwardly directed so that only the goal is seen and nothing else &#8211;
especially not the self.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>This
perhaps would be self-giving.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>I clearly remember the time during my
early teens when I experienced a separation within &#8211; a part within me=
 had
begun to watch myself acting. It got very annoying after some time and I fe=
lt a
total dryness. But I just could not stop watching. There were other phases =
that
followed, but this self-watching never left me, except in moments where I
totally gave in to the vital. Now, I do not experience the dryness, nor is =
the
self-watching of the same nature as earlier, but still the kind of
self-immersion that I sense in some people who in my eyes work perfectly, I=
 do
not sense in myself. The Mother has said that one must <i style=3D'mso-bidi=
-font-style:
normal'>become</i> the thing one is doing &#8211; but this is rare for me. =
At
the same time, now I see that when I am engaged in one activity, generally
other thoughts do not bother me &#8211; I am not simultaneously thinking of
other things, people, or situations. The mind is quieter than before. But o=
ne
has to go further in this discipline. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
connectivity with the divine and the immersion in each act as an act of pra=
yer,
offering &#8211; this is what would satisfy my being. In mechanical work it=
 is
easier for me &#8211; I have consciously tried it out and experienced it
&#8211; in counting bank notes when I was a cashier at the Ashram (Delhi), =
in
driving the car, in walking, in typing &#8211; especially when I am alone. =
But
the same becomes almost impossible when with others. Also, in moments of cr=
isis
it is easier to remember and offer but the habit of depending on one&#8217;s
own abilities and feeling content with that, thinking that is what is meant=
 by
&#8216;doing one&#8217;s best&#8217; soon reasserts itself. <o:p></o:p></sp=
an></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>At
the same time, there are certain movements that have begun over the last one
year which I think will help in outgrowing this limiting habit:<o:p></o:p><=
/span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>The
     movement of keeping the mind quiet, or rather quieter progressively.<o=
:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Deep=
er
     inner and higher connectivity during meditations.<o:p></o:p></span></l=
i>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Cult=
ivating
     a slight distance from others at work.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Cult=
ivating
     the habit of doing work silently.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Cutt=
ing
     down on participating in unnecessary chatter at work, especially during
     lunch time or over tea.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Focu=
sing
     on the work in hand, maintaining clear targets in the work diary and
     trying my best to keep to these during the day.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l0 level1 lfo4;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>Goin=
g over
     the various areas of work I am engaged in, gathering in my consciousne=
ss
     what needs to be done for each to be executed well, and offering it
     &#8211; during our Saturday morning collective meditations, as well as
     otherwise in quiet moments. Doing the same before putting down targets=
 for
     daily work for the next few days.<o:p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>These
have not been decided by me mentally as the logical steps to achieve the in=
ner
state of offering in work. But I feel these will help, are helping. In fact,
reading my journal and notings over the last one year, I feel that all the
various imperfections of nature that came up and engaged my attention for a
while, were inter-related and all helped me to arrive at this present point
where my consciousness is engaged with &#8216;perfection&#8217;. In the next
chapter, I will focus on some of these.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><br>
The retreat at Nainital reconnected me in some way to a part in me that I h=
ad
pushed aside for the last ten years &#8211; the part that enjoyed mucking a=
bout
as it liked the feel of the earth, that loved being just quietly in nature,
that explored classical singing because it loved the sound of pure notes mo=
re
than any song. I had always pushed away these needs telling myself &#8216;n=
o, I
did not have the time, there was too much of other work&#8217;. Now I felt =
&#8216;let
me just do it and find time because this is important for my balancing&#821=
7;. There
was something untrue, artificial, &#8216;pretend&#8217; about my busy-ness
&#8211; something similar to the way I felt about certain women&#8217;s
over-engagement with housework while whatever could have contributed to the=
ir
own growth, took a back seat. It was an attitude stemming from my ingrained
morality that divided life into work and pleasure. I just began.<o:p></o:p>=
</span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>20.8.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>Today
Sunaina and I started making a vegetable patch at the Centre. The first step
was to mark out the shape as the Mother&#8217;s symbol. We worked out the
dimensions, the proportions and drew it on the ground. We marked the outerm=
ost
circle first and then the inner ones. Then we started segmenting the circles
into petals. This time we began from the centre outwards. By the time we
finished doing the four petals of the inner circle and six petals of the ou=
ter
one, we figured out that we had gone wrong somewhere. So we decided to
re-start, this time from the outside in as we were sure of the outer circle=
.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>I
found interesting parallels in this exercise on ground, with matter, and wh=
at
often happens in life. Though inner should be the foundation for the outer,
often it is safer to start from the outer as one can mistake something to be
inwardly perfect &#8211; the slightest psychological insincerity and one can
really fool oneself. But it is difficult to ignore anything that has manife=
sted
in the outer and taken a concrete shape &#8211; it speaks for itself and ev=
en
if one ignores its message and justifies, there are many others to mirror t=
he
truth to us, for it is there for all to see.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>In
my journey to perfection, while I engage with inner levels of perfection, or
rather the inner foundations of perfection in work, I would also equally li=
ke
to engage with the outer parameters and signs of perfection &#8211; so that=
 I
do not fall into the same trap.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<i style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;fon=
t-family:
"BernhardMod BT";mso-fareast-font-family:"Times New Roman";mso-bidi-font-fa=
mily:
"Times New Roman";mso-ansi-language:EN-US;mso-fareast-language:EN-US;
mso-bidi-language:AR-SA'><br clear=3Dall style=3D'page-break-before:always'>
</span></i>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>23.8.06</span></i><i style=3D'mso-bidi-font-style:normal'=
><span
style=3D'font-family:"BernhardMod BT"'><o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>I&#8217;ve
taken up gardening at the centre as I feel the need to balance myself with =
some
work with the hands &#8211; trying to do it well. But again it&#8217;s beca=
use
the vital is engaged, and Sunaina&#8217;s being there helps to keep it up.<=
o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>The
real challenge is to do the interiors of the health centre and the gym, the
guest cottage really well &#8211; with quality and economy.<o:p></o:p></spa=
n></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>When
I looked at the garden patch the bigger lumps of unbroken soil caught my
attention and I thought that once I break them the work will be done. But a=
fter
doing so, the small lumps that were remaining started making noise for me. I
told Sunaina &#8211; &#8216;See, when we&#8217;ve big problems facing us, we
ignore the small ones. But when the big ones are not there, the small probl=
ems
appear big. So, may be, one should keep having big problems so that one is =
not
caught up in small things.&#8217; But now I feel that this is also the way =
to
perfection. One might start with what is big, but unless one deals also with
the smaller things, the work is incomplete.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt'><i style=3D'mso-bidi-font-style=
:normal'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></i></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>20.8.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>I
notice that there are days, like today, when I carried the ideal of
consciousness in my heart and gave time to everything that needed to be don=
e as
well as that I wanted to do, and felt at ease doing so. The ideal of perfec=
tion
made me catch small movements of resistances or preferences in myself that
prevented me from getting into an activity, and I consciously pushed myself=
 to
act immediately. For me perfection lay not in perfecting each act to its ut=
most
&#8211; it was rather following it through till it seemed that some kind of
completion had been achieved for the day and one could now switch to the ne=
xt
thing. So it was &#8211; from accounts to preparing the next issue of the
journal to working on this monograph for the course to some e-grouping work=
 and
then to starting the vegetable garden at the centre &#8211; mucking up and
dirtying oneself. This entire rhythm gave me the sense of a perfect day.<o:=
p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>And
then at night when I read Nolini da&#8217;s definition of perfection, it ma=
de
perfect sense for this is what I had been feeling the last two days, reflec=
ting
upon the meaning of perfection.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>The experience I had (as described a=
bove)
was much more satisfying than my earlier occasional attempts to mentally br=
ing
in perfection &#8211; I would try to make all my gestures perfect (walking,
picking up things &#8211; slightest physical movements) to get myself into =
the
rhythm, but would not be able to carry it through for any length of time, w=
hen
engaged in work. Also, this mental emphasis on perfection would make me cut
down on my scope of work, feeling that if I wanted to do perfectly whatever=
 I
had on my plate, I better not take on more. But the experience I now had was
quite different and contrary to my expectations and apprehensions. <o:p></o=
:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>What lay behind it became clear in w=
ords
upon reading Nolini da&#8217;s article on &#8216;The Nature of
Perfection&#8217;<a style=3D'mso-footnote-id:ftn1' href=3D"#_ftn1" name=3D"=
_ftnref1"
title=3D""><span class=3DMsoFootnoteReference><span style=3D'mso-special-ch=
aracter:
footnote'><![if !supportFootnotes]><span class=3DMsoFootnoteReference><span
style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-font-fam=
ily:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'>[1]</span></span>=
<![endif]></span></span></a>
in which he presents the idea that perfection is not the highest or utmost
possible in a particular field. True perfection is a harmony of all-round
growth &#8211; and harmony is not a curtailment or mutual adjustment or
compromise &#8211; it is discovering the inherent unity behind all divergen=
ces,
all diversity. I felt that just as being a jack of all and master of none w=
as
one extreme, a specialized mastery that excludes other fields was another. =
And
none of these roads was satisfying for me.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>&#8216;To fix the eternal&#8217;s to=
uch in
time-made things&#8217;, to live out perfection in daily acts, the following
was important for me:<o:p></o:p></span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l14 level1 lfo12;tab-stops:list .5in'><span style=3D'font-family:"Bern=
hardMod BT"'>To
     establish a rhythm of perfection in my consciousness by striving for a
     harmony of all-round growth rather than a uni-directional progress or
     endeavour.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l14 level1 lfo12;tab-stops:list .5in'><span style=3D'font-family:"Bern=
hardMod BT"'>To
     identify the consciousness with the work I was engaged with for that
     amount of time &#8211; through a discipline of quietness, inwardisation
     and offering, invocation.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l14 level1 lfo12;tab-stops:list .5in'><span style=3D'font-family:"Bern=
hardMod BT"'>To
     give attention to outer parameters of perfection, besides the inner on=
es.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l14 level1 lfo12;tab-stops:list .5in'><span style=3D'font-family:"Bern=
hardMod BT"'>To
     encompass the whole and the parts &#8211; the big and the small things
     &#8211; in my engagement with perfection.<o:p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: It is the lack of
self-giving that impedes intensification of consciousness. The self-regardi=
ng
ego has to be replaced by a living remembrance of the Mother and offering e=
ach
act to her. The mind has to be quiet to allow a natural rhythm of conscious=
ness
to engage with outer acts perfectly and wholly.<o:p></o:p></span></p>

<span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-fo=
nt-family:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'><br clear=3Dall
style=3D'page-break-before:always'>
</span>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>The R=
oad
Blocks and the Way Ahead<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>Oh, to be the pure
flawless crystal which lets Thy divine ray pass without obscuring, colourin=
g or
distorting it! &#8211; not from a desire for perfection but so that Thy work
may be done as perfectly as possible.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-right:1.45pt;text-align:=
right'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>The Mother, <i
style=3D'mso-bidi-font-style:normal'>Prayers and Meditations</i>, May 25, 1=
914</span><span
style=3D'font-family:"BernhardMod BT"'><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>&#8216;One
man&#8217;s perfection still can save the world&#8217; &#8211; this line by=
 Sri
Aurobindo is indicative of the tremendous power that Perfection has. I do n=
ot
know about the world, but I did experience this need tremendously when I co=
uld
do little in the last moments of my father&#8217;s life and felt that if on=
ly
my consciousness was more developed, more inwardised, more receptive to the
Divine, perhaps more could have been possible through me. It brought home a
little more closely the need for the spiritualization of consciousness &#82=
11;
a little, because the intensity of the need lasted only so long as the pain=
 of
death lasted. Then the routine took over once again. Human nature is so dif=
ficult
to change. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>What =
is it
that takes me away from my own deeper needs?</span></b><span style=3D'font-=
family:
"BernhardMod BT"'> I don&#8217;t think I can make a list &#8211; for if
I&#8217;m sincere, almost everyday I am faced with some kink in myself that
needs to be straightened out. For instance,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>29.8.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>There
have been two-three incidences of having unwittingly created misunderstandi=
ng
through my words while reporting someone else&#8217;s comments, and
people&#8217;s reaction to these. I&#8217;ve always felt absolutely convinc=
ed
about the accuracy of my reporting, but not so the others. A comment Ameeta
made about a subconscious negativity stayed with me for it rang true. Now
reflecting upon each of these incidences I see that a strand baser than what
should be was entangled in these. A part of my being wanted to believe the
worst. Even though the words I reported were correct &#8211; for I checked =
back
with the ones who spoke them &#8211; the effect I created was not. What does
this point to?<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>This
morning I felt a moment of gratefulness that I was caught in such situations
&#8211; the inner aspiration for control and correctness of speech must have
had a sincerity in it that drew such circumstances which ordinarily would n=
ot
have been remarkable, but for me acquired unpleasant dimensions so that I c=
ould
become aware of the subtler elements that distort understanding and speech =
in
my case. To be conscious of what one hears, to separate it from the negativ=
ity
of the other and the negativity within oneself before allowing it further
expression in speech. To be conscious of what one speaks, to remove all
ill-intention &#8211; even the most subconscious &#8211; and to speak only =
to
the extent necessary. Not to be moralistically &#8216;correct&#8217; or
&#8216;true&#8217; but to collaborate with truth that needs to be as per a
higher intention. As the Mother once said though she might know the truth, =
she
might not say all of it. Indeed, the moral adherence to truth can at times =
be
more damaging than falsehood.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>So
for me&#8230; conscious speech, control of speech and conscious listening,
controls on listening.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Behind all the weaknesses of my natu=
re I
feel the presence of a great <i style=3D'mso-bidi-font-style:normal'>tamas<=
/i>,
the principle of obscurity and inertia, and a vital ill-will and smallness.=
 It
is tamas that creates resistances in my physical consciousness, doubts in my
mind. And the vital takes pleasure in disallowing progress &#8211; by insis=
ting
on the fulfillment of petty pleasures (watching television for instance,
instead of spending the evening in-gathering and deepening the consciousnes=
s),
by fostering an ill-will that covers up the higher vital responses, and clo=
uds
the mind into negative thinking. Even though this latter aspect has lessened
over the years as I have become more conscious, I still feel that there is a
deeper chord in the lower vital that needs to be exposed to light. This is =
what
I try and do especially when I visit the Samadhi at the ashram in <st1:City
w:st=3D"on"><st1:place w:st=3D"on">Pondicherry</st1:place></st1:City>, for =
I feel
it is beyond my own efforts or even comprehension to fathom. <o:p></o:p></s=
pan></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>At the same time, the being responds=
 very
quickly to any concentrated effort of in-gathering, offering. <o:p></o:p></=
span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>26.8.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>This
morning during meditation I suddenly experienced a joy &#8211; the joy of b=
eing
part of creating something beautiful &#8211; this in connection with the he=
alth
centre interiors. It felt like the joy of being an instrument &#8211; not of
the Divine (that&#8217;s still far away, I feel) &#8211; but of someone who
knew better than me and was sure to ensure perfection, beauty in work &#821=
1;
in this case, Ameeta. Just the joy of being guided and collaborating.<o:p><=
/o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>Then
came the experience of the downward deepening of consciousness from the hea=
rt
centre &#8211; a channel opening up within.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>And
&#8216;The Life Divine&#8217; reading &#8211; that too on integral perfecti=
on.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>And
again this evening, the prayer of 25<sup>th</sup> May, 1914 &#8211; to aim =
not
for perfection but for doing the Divine&#8217;s work perfectly.<o:p></o:p><=
/span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Even though in moments of aspiration=
 words
such as &#8216;the divine&#8217;s instrument&#8217; rise up in my
consciousness, generally I want to stay away from them, and keep my focus on
the growth and perfection of consciousness, change of nature &#8211; in ord=
er
to become a better human being, but more importantly, to become a channel f=
or
the work that needs to be done through me, in the divine&#8217;s plan. So w=
hile
the motivation is the divine, in my frontal consciousness I disallow this s=
ense
of being &#8216;an instrument&#8217;, as I feel, it can often lead one to
insincerity, justifying one&#8217;s own preferences and behaviour and
decisions. For me the measure of my &#8216;instrumentation&#8217; is the
perfection of my consciousness, the positive change in my attitudes and nat=
ure.
Till I can establish myself in an inner stance that itself is near perfect,=
 I
do not wish to venture into these subtler realities of &#8216;yoga&#8217;.<=
o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>But this has also created a problem
&#8211;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>I
see that my focus is too much on what seems feasible, practical, logical and
not sufficiently on what is decreed, what needs to be in order to replace t=
he
present absurdity. I bind myself by the rules of the game as it exists &#82=
11;
a game I do not believe in myself and broke away from 20 years ago in one p=
art
of my being, but my outer nature is still stuck in the groove. I need to li=
ve
in the future more &#8211; without fearing that I&#8217;ll let go of my sen=
ses,
of being impractical, imagining impossible things, promising something that
might never be, or simply falling flat on my face, appearing foolish. Yes,
these are my fears as I try my best to be very sane, practical and reliable=
. And
this is the reason that I can inspire neither myself nor others.<o:p></o:p>=
</span></i></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Shadow and light &#8211; the experie=
nce is
the same as for many others on the path of self-perfection. </span><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:16.0pt;font-=
family:
"BernhardMod BT"'>The way forward</span></b><span style=3D'font-family:"Ber=
nhardMod BT"'>
lies in a merciless sincerity to recognize the shadows, and an unflagging
effort to enhance the light. In this journey for myself I feel that an outer
goal helps so that I can concretely measure myself. And that&#8217;s where =
the
engagement with perfection in work becomes meaningful for me. A simple acti=
on
plan for me is:<o:p></o:p></span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in'><span style=3D'font-family:"Bernha=
rdMod BT"'>Opening
     the being to the Mother&#8217;s light &#8211; especially the lower vit=
al
     and the physical consciousness, in order to dissolve the vital&#8217;s=
 ill
     will, the physical&#8217;s tamas, and also to expose the knot of darkn=
ess
     which is yet hidden from me.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in'><span style=3D'font-family:"Bernha=
rdMod BT"'>To
     focus on &#8216;perfection&#8217; in each and every work that I take u=
p,
     so as to make it a living attitude in my entire being &#8211; perfecti=
on
     interpreted as the sincere and utmost collaboration of the consciousne=
ss
     in the work I am engaged in, with an attitude of offering and receptiv=
ity
     to the divine. The writing of a journal at night is helpful for this,
     besides moments of concentration during the day.<o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in'><span style=3D'font-family:"Bernha=
rdMod BT"'>To
     practice silence of consciousness in order to effectuate the above.<o:=
p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Yet another point helps:<o:p></o:p><=
/span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in'><span style=3D'font-family:"Bernha=
rdMod BT"'>To
     exert myself physically to gather information, skills &#8211; whatever=
 is
     needed (for instance, surveys for effective costing when purchasing
     materials for construction).<o:p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Thus I see that the outer effort is =
as
important for me as the inner. Both are needed simultaneously. <o:p></o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>Already there is an experience of
&#8216;joy&#8217; &#8211; two days ago I woke up with this feeling of joy a=
nd
looking ahead to the day, as if something exciting was going to happen,
something new. On the face of it nothing &#8216;exciting&#8217; was planned
&#8211; I had to visit a studio to fine-tune one of our multimedia, had some
construction follow-ups, a meeting with a solar agency for health centre, a=
nd
another meeting with the electrical guys to check out the lights at the
Samadhi. It was the looking forward to another opportunity to bring perfect=
ion
into the work &#8211; it was a very pleasant experience &#8211; showing me =
how
quickly the being responds to the higher impulses, and also that the discip=
line
of perfection can lead me to a joy greater than the petty pleasures of the
vital. It is this gain that I have to now consolidate without allowing the
lower me to intervene. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>There is yet another aspect that I b=
ecame
aware of in the last few days when I went for an extended holiday with my
family.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>7.9.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>What
does perfection mean to me when I&#8217;m with the family? The absence of w=
ork
makes me lax generally. But this time I&#8217;m more quiet, watchful of my =
own
consciousness. Obviously there is a division in me which makes me categoris=
e my
life into work, family &#8211; I have not yet experienced the truth of
&#8216;all action is work&#8217; and &#8216;all life is yoga&#8217;. Otherw=
ise
this question of what is perfection in family life would not have arisen.
Still, to begin from where I am&#8230; For me, it is not about enacting each
role perfectly &#8211; to be a perfect daughter, a perfect sister,
sister-in-law, aunt. No, it is about being centred in my higher self, my de=
eper
being, the best of me that I can access. To deal with all situations,
relationships with depth and dignity, without losing my inner connectivity =
with
the truth of my being. There&#8217;s also a hope to deepen the collective
atmosphere. How can I do it&#8230; I don&#8217;t exactly know. Let me
see&#8230; I offer it to Thee.<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>I remember phases in my life when I =
have
passionately, sincerely offered each and every member of my family to the
Mother&#8217;s light and have felt the light entering each according to the=
ir
own nature and receptivity. And after that for a few days, weeks, sometimes
after years I have witnessed something of it coming alive in the daily real=
ity
&#8211; in the collective atmosphere or in a particular person&#8217;s life.
But of late the urge to do that is less. Only a crisis impels me to do it. =
Over
the years the wish to live others&#8217; lives for them or to aspire for th=
em
has lessened. This has its good side and bad too. While it has allowed me to
shift out of vital attachments, it has also made me accept to be a part of =
the
set family interaction and dynamics patterns without contributing anything
positive to it, and therefore, to myself as well. This too has become a road
block in perfecting my consciousness when in family. To establish the
relationships on a psychic basis while appreciating the deep bond of love t=
hat
I share with my family &#8211; this would be the ideal state for me. Theref=
ore,
in my action plan, the state of consciousness while with the family would b=
e a
special area of focus for me &#8211; not to just cultivate detachment, rath=
er
to evoke a psychic attachment, concern, focus.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Indeed,
to strive for all this not because one wishes for perfection for its own sa=
ke, &#8216;but
so that Thy work may be done as perfectly as possible&#8217; &#8211; this w=
ould
be an ideal condition and one that I have just begun to conceive.<o:p></o:p=
></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><i style=3D'mso-bidi-font=
-style:
normal'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></spa=
n></i></p>

<p class=3DMsoNormal style=3D'text-align:justify'><i style=3D'mso-bidi-font=
-style:
normal'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></spa=
n></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: The key is to
experience joy in the effort rather than a mental construct of perfection
&#8211; the joy of self-giving, the joy of progress, the joy of perfection.=
 To
open the being to the Mother&#8217;s light and let it work to dissolve the
vital&#8217;s ill-will, physical tamas, mental noise and predilections, is =
the
most powerful tool available to me.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></=
span></p>

<i style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:12.0pt;fon=
t-family:
"BernhardMod BT";mso-fareast-font-family:"Times New Roman";mso-bidi-font-fa=
mily:
"Times New Roman";mso-ansi-language:EN-US;mso-fareast-language:EN-US;
mso-bidi-language:AR-SA'><br clear=3Dall style=3D'page-break-before:always'>
</span></i>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:18.0pt;font-=
family:
"BernhardMod BT"'>A Symphony of Perfection</span></b><span style=3D'font-si=
ze:
11.0pt;font-family:"BernhardMod BT"'><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>This evening there was a yearning fo=
r the
Mother&#8217;s words&#8230; I was quiet within and then opened the book <i
style=3D'mso-bidi-font-style:normal'>Prayers and Meditations</i>. It opened=
 on to
this prayer&#8230;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>&#822=
0;O
Lord, for perfect consciousness we aspire&#8230;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>All
the being is gathered into a well-tied sheaf made of various but harmonized
flowers. The will was the hand that gathered the flowers and the tie that b=
ound
the sheaf and it is the will that now holds it out to Thee like a scented
offering. To Thee it is held out unweariedly, without faltering.&#8221;<a
style=3D'mso-footnote-id:ftn2' href=3D"#_ftn2" name=3D"_ftnref2" title=3D""=
><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[2]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>&#8216;Perfect
consciousness&#8217; &#8211; isn&#8217;t this what my yearning for perfecti=
on
is all about? How simply the Mother puts so many ideas, so many pointers in
this simple prayer! &#8216;Various but harmonized flowers&#8217; &#8211; no=
t an
exclusive perfection, but something that includes the various aspects,
activities, dimensions in one&#8217;s life and work &#8211; harmonized and
&#8216;well-tied&#8217;. It is the will that has to gather these diverse
elements of one&#8217;s being, life, work and it is the will that is the tie
that holds them together, and it is the will that holds it out to the Divin=
e,
offers it. Thus, the work of harmonization, organization, offering &#8211; =
all
of it requires the element of will &#8211; and yet all done so gently &#821=
1;
that is the sense I receive from the metaphor of flowers and the scented
offering, this sense of gentleness. And then comes the most difficult thing=
 of
all &#8211; to sustain the offering &#8216;unweariedly, without
faltering&#8217;. A simple prayer, but with a wealth of action in it.<o:p><=
/o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Once
again I concentrated and opened the book&#8230; to yet another prayer that
seemed perfect for me&#8230;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>&#822=
0;Each
activity in its own field accomplishing its particular mission, without
disorder, without confusion, one enveloping the other, and all graded
hierarchically around a single centre: Thy will&#8230; What is most lacking=
 in
all beings is clarity and order; each element, each state of being, instead=
 of
fulfilling its function in harmony with all the others, wants to be the who=
le
in itself, perfectly autonomous and independent. And there lies the ignorant
error of all the universe, a global error repeated in millions and millions=
 of
forms. But under the pretext that these activities are separate and in
disorder, to want to suppress them so as to let only Thy single Will subsis=
t,
which in its solitude would no longer have any reason to exist, would be an
undertaking as absurd as it is unrealizable. It is easier, indeed, to suppr=
ess
than to organize; but harmonious order is a realization far superior to
suppression. And even if the final aim were a return to Non-Being, the retu=
rn
would seem possible to me only through a highest perfection of the being&#8=
230;&#8221;<a
style=3D'mso-footnote-id:ftn3' href=3D"#_ftn3" name=3D"_ftnref3" title=3D""=
><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[3]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>It is interesting that
whatever I read, points me back to something I began this project with &#82=
11;
an instinctive sense of knowing that perfection is linked with inner
perfection, the sense that for me it is somehow linked to self-giving, self=
-consecration,
and also that the block to that lies in my lower vital. This feeling has ju=
st
concretized and got re-affirmed with my readings over the last few weeks. B=
ut
these readings have also helped me to reflect in a more focused way. In this
chapter I share some of these readings and reflections on perfection.<o:p><=
/o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>There were three
inter-related ideas that I came across in readings from the Mother and from
Nolini da:<o:p></o:p></span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in left 1.0in'><span style=3D'font-fam=
ily:
     "BernhardMod BT"'>Perfection is relative.<span class=3DMsoFootnoteRefe=
rence>
     </span><o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in left 1.0in'><span style=3D'font-fam=
ily:
     "BernhardMod BT"'>At times, imperfection is greater than perfection.<o=
:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;mso-=
list:
     l6 level1 lfo8;tab-stops:list .5in left 1.0in'><b style=3D'mso-bidi-fo=
nt-weight:
     normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>A
     higher perfection may necessitate the giving up of a previous perfecti=
on</span></b><span
     style=3D'font-family:"BernhardMod BT"'>.<o:p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>Imperfection is nothing=
 but
an interlude between two stages of perfection, for perfection is relative, =
and
in order to move from one level of perfection to another, often one has to =
give
up the previous level &#8211; the intervening period, before one acquires t=
he
next level of perfection, might actually be a time when one seems less than
what one was earlier. When we compare the physical agility of the ape with =
that
of a human being, surely the ape comes out a winner. But, was it not necess=
ary
for the human being to give up this agility in order to develop the higher
faculty of the intellect?<a style=3D'mso-footnote-id:ftn4' href=3D"#_ftn4"
name=3D"_ftnref4" title=3D""><span class=3DMsoFootnoteReference><b style=3D=
'mso-bidi-font-weight:
normal'><span style=3D'mso-special-character:footnote'><![if !supportFootno=
tes]><span
class=3DMsoFootnoteReference><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-font-fam=
ily:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'>[4]</span></b></s=
pan><![endif]></span></b></span></a>
<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>I am reminded of a frie=
nd who
I often saw struggling with simple calculations. All attempts at learning s=
imple
arithmetic seemed in vain. Yet, suddenly I witnessed a shift. While step by
step calculation was still a road-block, the right answers would come to he=
r as
if by intuition. A higher faculty seemed to be at work. This reflected in a
mathematical intelligence in matters related to costing etc. as well &#8211;
while I would add up figures painstakingly, she would name a figure which w=
ould
be almost what I arrived at after calculations. I could no longer judge her
from my mental scale of perfection.<span style=3D'mso-spacerun:yes'>&nbsp;
</span><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>I find that this giving=
 up of
a lesser perfection requires courage and also faith &#8211; faith in a futu=
re
possibility. Even though I know that the work should be done through invoca=
tion
and offering, for it to be truly effective, I depend too much on the known =
and
tried methods even though they are quasi-effective only. I lack patience to
invoke &#8211; there is an urge to jump into action, a false belief that I =
have
sufficient skills. But I can also see that for this reason there are many r=
oad
blocks, delays, conflicts &#8211; whereas, if the work was really done as a
symphony of harmony, all should go well. It is this attachment to a lesser
perfection that prevents me from taking the leap into the next level &#8211=
; it
would also mean a readiness to live with imperfection for some amount of ti=
me.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Giving
the examples of the gods, Nolini da writes that even gods need to leave the=
ir
limited perfection and take birth as humans, take on the human imperfection=
, in
order to progress. A perfect soul, when unmixed by any human imperfection, =
can only
exist as aloof from humanity and can have only limited impact. It is only by
participating in human ignorance and imperfection, by taking on the human
nature, that even an avatar can be accessible to humanity and influence it.
Therefore, at times, </span><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>imperfection is act=
ually a
sign of a greater possibility</span></b><span style=3D'font-family:"Bernhar=
dMod BT"'>.<a
style=3D'mso-footnote-id:ftn5' href=3D"#_ftn5" name=3D"_ftnref5" title=3D""=
><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[5]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>But, for the greater
possibility to manifest, it must become a necessity in the consciousness of=
 a
collectivity &#8211; it should acquire a greater reality than what exists a=
nd
ties one down. The present must appear an absurdity that cannot last, and m=
ust
go.<a style=3D'mso-footnote-id:ftn6' href=3D"#_ftn6" name=3D"_ftnref6" titl=
e=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[6]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>While on the one hand o=
ne has
to accept the present and work in it, at the same time it has to be rejecte=
d so
that something new can manifest. The Mother explains that while one may feel
that all here is the play of the Divine, it does not mean that it has to st=
ay
as it is &#8211; in fact, this feeling has to be accompanied by a sense of =
how
distorted and far away from divine perfection everything is. It is only when
one feels that the manifestation is progressive and feels also one&#8217;s
incapability of expressing the divine perfection, that something more is
possible.<a style=3D'mso-footnote-id:ftn7' href=3D"#_ftn7" name=3D"_ftnref7=
" title=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[7]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>Indeed when one strives=
 for
perfection, then too one needs both these perspectives simultaneously &#821=
1;
to feel pained by the imperfection that exists and the lack of perfection in
oneself, at the same time to have full faith in the perfectibility of onese=
lf
and the work &#8211; otherwise one cannot proceed. To have just the faith,
without the goad of pain that makes one strive, might lead to a fatalistic =
or
passive attitude; to wallow in pain without the faith will make one too bit=
ter
or depressed and ultimately helpless.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: Each and every as=
pect
of the being, each and every activity of one&#8217;s life has to be gathered
and offered &#8211; even imperfection has a role to play in the journey of
progressive perfection. Faith, Will and Aspiration are the aids on the way.=
<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><span
style=3D'mso-spacerun:yes'>&nbsp;</span><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<i style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:12.0pt;fon=
t-family:
"BernhardMod BT";mso-fareast-font-family:"Times New Roman";mso-bidi-font-fa=
mily:
"Times New Roman";mso-ansi-language:EN-US;mso-fareast-language:EN-US;
mso-bidi-language:AR-SA'><br clear=3Dall style=3D'page-break-before:always'>
</span></i>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><b style=3D'mso-bidi-font-weight:normal'><span style=3D'font-si=
ze:18.0pt;
font-family:"BernhardMod BT"'>The Delight of Works</span></b><span
style=3D'font-family:"BernhardMod BT"'><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>The conception of o=
ur
work will inevitably grow more perfect as we grow more perfect ourselves; a=
nd
to realize this growing perfection, no effort to exceed ourselves should be
neglected, but the work we perform must become always more and more joyful =
and
spontaneous, like water welling from a pure spring.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-right:1.45pt;text-align:=
right'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>The Mother, <i
style=3D'mso-bidi-font-style:normal'>Collected Works of The Mother</i>, vol=
.2,
p.51</span><span style=3D'font-family:"BernhardMod BT"'><o:p></o:p></span><=
/p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Perfection
can be, but must not be, a serious business! The more I read or reflect, the
more it becomes clear that it must be like a song of the being &#8211; not a
laboured effort, a delight rather. The consciousness has to grow or become
self-revealed to a point where it remembers once again the joy of being and
doing what it is meant to be and to do &#8211; there is a
&#8216;rightness&#8217; about it that escapes all thought out causes. And t=
his
can happen only when one lets go of the effort and opens oneself completely=
 so
that the divine grace can make the effort in and through oneself.<o:p></o:p=
></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>This
delight cannot be dependent on any particular work or circumstance &#8211; =
i.e.
it should not vary essentially whether I am at home, with family, or at wor=
k,
or out socializing. As I write this I can see and feel Nirod da&#8217;s smi=
le
as he sat through all our chatter or through our silences or through the st=
ream
of visitors, or alone quietly gazing at the Samadhi&#8230; always, the same
quality of being enveloped by a Presence, that reached out and touched us as
well.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
Mother writes that perfection does not depend on the scope of the work or i=
ts
result, nor does it depend on any external circumstance. The sole criterion=
 is
the sincerity of one&#8217;s consecration &#8211; &#8216;To do what the Div=
ine
wants you to do, in a total consecration of the being&#8230;&#8217;<a
style=3D'mso-footnote-id:ftn8' href=3D"#_ftn8" name=3D"_ftnref8" title=3D""=
><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[8]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>In
one of his aphorisms, Sri Aurobindo says that imperfection in a work meant =
for
one is better than &#8216;an artificial competency and a borrowed
perfection.&#8217;<a style=3D'mso-footnote-id:ftn9' href=3D"#_ftn9" name=3D=
"_ftnref9"
title=3D""><span class=3DMsoFootnoteReference><span style=3D'mso-special-ch=
aracter:
footnote'><![if !supportFootnotes]><span class=3DMsoFootnoteReference><span
style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-font-fam=
ily:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'>[9]</span></span>=
<![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Borrowed
perfection&#8230; what does it mean? The two instances that come to my mind=
 are
&#8211; as a teenager, trying to sing in a Lata Mangeshkar voice by
artificially modulating it, and trying to be a &#8216;loving, never
angry&#8217; teacher in my first couple of years at Mirambika. I was trying=
 to
imitate something without living it. It did not last long, thankfully. What
replaced it was perhaps not so impressive, but it was more sincere. Could t=
his
be what is meant by &#8216;borrowed perfection&#8217;? And now, the
construction work which I internally know is &#8216;meant for me&#8217; is a
field for my limited and imperfect capacities to grow into perfection throu=
gh a
&#8216;sincere consecration&#8217; &#8211; the word &#8216;total&#8217; sti=
ll
frightens me!<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>&#8216;Consecration&#8217;,
self-giving is what I began with, and now this is confirmed by the Mother
&#8211; the sole criterion for perfection is the sincerity of the consecrat=
ion.
I focused a little more on the knot I felt in the lower vital&#8230;<o:p></=
o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-top:0in;margin-right:37.=
45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:right'>=
<i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-size:10.0pt;font-f=
amily:
"BernhardMod BT"'>22.9.06<o:p></o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>Focusing
on the shadow, the knot in the lower vital, the words &#8216;ill-will&#8217;
(an opposition to progress) came up and seemed linked to the left side of t=
he abdominal
area (corresponding to the medical problem that I have faced since many yea=
rs).
Even the difficulties over money seemed linked to ill-will &#8211; a refusa=
l to
fully identify with the work, to give myself to it completely.<o:p></o:p></=
span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'><o:p>&nbsp;</o:p></span></i></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:"BernhardMo=
d BT"'>And
when I focused on the words &#8216;consecration total and sincere&#8217;, w=
hat
came up was:<o:p></o:p></span></i></p>

<p class=3DMsoNormal align=3Dcenter style=3D'margin-top:0in;margin-right:37=
.45pt;
margin-bottom:0in;margin-left:.5in;margin-bottom:.0001pt;text-align:center'=
><i
style=3D'mso-bidi-font-style:normal'><u><span style=3D'font-family:"Bernhar=
dMod BT"'>to
feel the delight of works<o:p></o:p></span></u></i></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Someone
once asked the Mother what the greatest obstacle was in oneself to one&#821=
7;s
consecration to impersonal work. The Mother explained that the imperfection=
 lay
in the physical matter itself &#8211; as it is presently. By the very fact =
of
our birth into a physical body, we take on the imperfections of the physica=
l,
take on all the obstacles that its very nature poses for the subtle ether of
the soul.<a style=3D'mso-footnote-id:ftn10' href=3D"#_ftn10" name=3D"_ftnre=
f10"
title=3D""><span class=3DMsoFootnoteReference><span style=3D'mso-special-ch=
aracter:
footnote'><![if !supportFootnotes]><span class=3DMsoFootnoteReference><span
style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-font-fam=
ily:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'>[10]</span></span=
><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>How
true it is. I remember my experience on my visits to the Ashram at <st1:pla=
ce
w:st=3D"on"><st1:City w:st=3D"on">Pondicherry</st1:City></st1:place> &#8211=
; this
experience was especially stronger during the early years &#8211; the first=
 few
days I would experience a gradual slipping of masks and a sort of nakedness=
 of
my face gradually shining through, as if a great load was taken off. Then I
would feel myself to be in the Mother&#8217;s home, totally unabashed,
unafraid, open, smiling &#8211; no pretence, no defence. When I returned to=
 <st1:place
w:st=3D"on"><st1:City w:st=3D"on">Delhi</st1:City></st1:place>, I would exp=
ect the
others to comment &#8211; surely my face must have changed completely! I fe=
lt a
different person. But no, nothing. Physically, I was the same, even though
internally I had experienced, lived a shift. And then gradually, the masks
would fall back in place. The physical was unable to mirror the inner self.=
 Its
material was dense, unable to translate the subtler realities.<o:p></o:p></=
span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>A
second experience I remember is of gaining height on certain days &#8211;
always related to the state of my consciousness. It is true that whenever I
feel connected within, I notice my spine straightening and my walk becoming
lighter and more graceful, but besides this gaining of inches through
straightening, there was an added dimension of consciousness, which could be
noticed by others as well. I notice a similar change in the physical appear=
ance
of certain people on different days (which is independent of the clothes or=
 the
mood they are wearing), including my own, and see it as related to the stat=
e of
the consciousness.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>However,
generally, the transcription of the inner reality into the physical is of a=
 poor
nature. While in my inmost being I might feel very pure, harmonious, clear,=
 by
the time this inner feeling manifests through the physical, it has been mix=
ed
up with the characteristics of all the intervening layers in between &#8211;
the mental, the vital and the physical. This is the inevitable law of human
life and one must not feel disheartened &#8211; for, it is not an individual
phenomenon, but is shared by everything that is manifested upon earth. It m=
akes
me feel as if indeed we are the Platonian shadows of some perfect reality, =
but
imperfect here.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Indeed
the tamas of the physical is a great barrier in my own progress and it grips
not just the physical, but the vital and the mind as well at times.<o:p></o=
:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>To
experience the joy of consecration, the delight of works, the lightness of
being, even though the psychic is the source, the vital too has an important
part to play, I feel. My fear that the lower vital impulses or unchecked vi=
tal
energy of my being will take me away from a &#8216;spiritual life&#8217; ha=
s often
led me to suppress the vital unnaturally. I have trapped myself into the
concept of a higher life that is devoid of vitality. Therefore, now when I
require the vital energy to support a higher impulse in action, the vital d=
oes
not come forth easily or sabotages my intentions by throwing up the
unregenerate lower vital desires and impulses. The vital discipline though
necessary, has not been properly understood or applied by me. This is an ar=
ea
that I need to explore further.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Vital&#8217;s
non-cooperation, ill-will, tamas, lack of courage, false pride and egoism
&#8211; once again, the list is endless. But once again, it comes back to t=
he
same thing &#8211; lack of consecration, self-giving, lack of a living
aspiration. The rest are just layers of the same problem.<o:p></o:p></span>=
</p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>For
me the program becomes simpler&#8230;<o:p></o:p></span></p>

<ul style=3D'margin-top:0in' type=3Ddisc>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l12 level1 lfo1=
3;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>The =
way to
     perfection is through self-consecration, through intense aspiration. <=
o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l12 level1 lfo1=
3;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>The =
inner
     sincerity will be the judge, but also delight in works and the harmony=
 of
     the process itself will be the concrete indicators to evaluate correct=
ly. <o:p></o:p></span></li>
 <li class=3DMsoNormal style=3D'text-align:justify;mso-list:l12 level1 lfo1=
3;
     tab-stops:list .5in'><span style=3D'font-family:"BernhardMod BT"'>If t=
here
     is a lack of joy, there are obstacles or discord &#8211; these are
     indicators of a lack of consecration and therefore, a lack of perfecti=
on.<o:p></o:p></span></li>
</ul>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></spa=
n></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></spa=
n></b></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: The pursuit of
perfection can also be a journey of delight. The delight comes when one is
alive to the experience of doing something that the divine has chosen for o=
ne,
and the vital too collaborates. <o:p></o:p></span></p>

<b style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:12.0pt;
font-family:"BernhardMod BT";mso-fareast-font-family:"Times New Roman";
mso-bidi-font-family:"Times New Roman";mso-ansi-language:EN-US;mso-fareast-=
language:
EN-US;mso-bidi-language:AR-SA'><br clear=3Dall style=3D'page-break-before:a=
lways'>
</span></b>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>A
Collective Perfection</span></b><span style=3D'font-family:"BernhardMod BT"=
'><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>&#8230; it is only =
by the
perfection of the soul within that the outer environment can be perfected.<=
o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-left:3.0in;text-align:ri=
ght'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>Sri Aurobindo, <i
style=3D'mso-bidi-font-style:normal'>Thoughts &amp; Aphorisms</i>, #344<o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-size:=
10.0pt;
font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>The individual cann=
ot be
perfect until he has surrendered all he now calls himself to the divine Bei=
ng.
So also, until mankind gives all it has to God, never shall there be a
perfected society.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-left:3.0in;text-align:ri=
ght'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>Sri Aurobindo, <i
style=3D'mso-bidi-font-style:normal'>Thoughts &amp; Aphorisms</i>, #328<o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
would like to end this monograph with some reflections on the collective as=
pect
of perfection &#8211; whether as a family or as an organization.<o:p></o:p>=
</span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Just
as one&#8217;s own state of being creates ripples and affects others around
oneself, so too is one affected by the state of the others. There comes a t=
ime
in one&#8217;s individual journey, when it becomes important to travel with
others, even if it means slowing down one&#8217;s pace. For me the journey =
at
the Gnostic Centre has been such a journeying together.<o:p></o:p></span></=
p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
have found it a challenge to hold the two concepts together in my being &#8=
211;
that of the essential equality of all at the Centre, and that of a graded
hierarchy around a divine centre. Especially in moments of personal conflic=
t,
this balance is threatened hugely &#8211; but it is also this dual concept =
that
helps me to regain my equilibrium and seek for the right action. <o:p></o:p=
></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
know what we are striving towards is what the Mother calls &#8216;the
government of the Supreme Lord&#8217; &#8211;<span
style=3D'mso-spacerun:yes'>&nbsp; </span><o:p></o:p></span></p>

<h1 style=3D'margin-top:0in;margin-right:37.45pt;margin-bottom:0in;margin-l=
eft:
.5in;margin-bottom:.0001pt;text-align:justify;line-height:normal;page-break=
-after:
auto'><span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-bidi=
-font-family:
"Times New Roman";font-weight:normal'>&#8220;<st1:City w:st=3D"on"><st1:pla=
ce
 w:st=3D"on">Liberty</st1:place></st1:City> can only be manifested when all=
 men
know the liberty of the Supreme Lord.<o:p></o:p></span></h1>

<h1 style=3D'margin-top:0in;margin-right:37.45pt;margin-bottom:0in;margin-l=
eft:
.5in;margin-bottom:.0001pt;text-align:justify;line-height:normal;page-break=
-after:
auto'><span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-bidi=
-font-family:
"Times New Roman";font-weight:normal'><span style=3D'mso-tab-count:1'>&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Equali=
ty
can only be manifested when all men become conscious of the Supreme Lord.<o=
:p></o:p></span></h1>

<h1 style=3D'margin-top:0in;margin-right:37.45pt;margin-bottom:0in;margin-l=
eft:
.5in;margin-bottom:.0001pt;text-align:justify;line-height:normal;page-break=
-after:
auto'><span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-bidi=
-font-family:
"Times New Roman";font-weight:normal'><span style=3D'mso-tab-count:1'>&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Frater=
nity
can only be manifested when men feel that they are equally born of the Supr=
eme
Lord and one in His Oneness.&#8221;<a style=3D'mso-footnote-id:ftn11'
href=3D"#_ftn11" name=3D"_ftnref11" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[11]</span></span><![endif]></span></span></a><o:p></o:p></span></h1>

<p class=3DMsoNormal><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbs=
p;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Often
I imagine what a place <st1:country-region w:st=3D"on"><st1:place w:st=3D"o=
n">India</st1:place></st1:country-region>
would be if all could indeed keep the Divine at the centre. As I mentioned
earlier, it is actually easier for me to experience this oneness, at the
Centre, than at home where the emotional ties are stronger, and conflicts
lesser. I can only ascribe it to the conscious engagement of all individual=
s at
the Centre with the principle of self-perfection in their lives, and the
consciousness also of the collective aim of having an organization that is
centred around a higher life. This movement towards perfection in the
collective helps me to be individually focused as well &#8211; as if there =
is a
public accountability.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>Earlier
I used to feel that I am a better person when alone. I suppose everyone is.
But, now I see that without this collective pressure, I could not be a bett=
er
person in solitude for long.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>When
with others, especially with those one looks up to, or in relation to the
Divine, there are bonds of love that help one to move towards perfection. B=
ut
it is not only love, there is a pressure as well &#8211; at times through
conflict, at times through insecurity or fear. While these elements of disc=
ord
and insecurity must not be allowed to exist, these &#8211; or rather, the
memory of these acts as a preventive in taking things too easy. As Sri
Aurobindo says,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>&#8220;Perfect love casts out fear; =
but
still keep thou some tender shadow and memory of the exile and it will make=
 the
perfection more perfect.&#8221;<a style=3D'mso-footnote-id:ftn12' href=3D"#=
_ftn12"
name=3D"_ftnref12" title=3D""><span class=3DMsoFootnoteReference><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[12]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<h1 style=3D'margin-right:1.45pt;text-align:justify;line-height:normal;
page-break-after:auto'><span style=3D'font-size:12.0pt;font-family:"Bernhar=
dMod BT";
mso-bidi-font-family:"Times New Roman";font-weight:normal'><o:p>&nbsp;</o:p=
></span></h1>

<h1 style=3D'margin-right:1.45pt;text-align:justify;line-height:normal;
page-break-after:auto'><span style=3D'font-size:12.0pt;font-family:"Bernhar=
dMod BT";
font-weight:normal'>The times when one moves away from the Mother or from
someone one holds dear, due to a fault in one&#8217;s own attitude, are
powerful correctives and motivators to move back into the right attitude. E=
ven
the memory of that exile is most of the times sufficient to stop one from
slipping into the shadows.<o:p></o:p></span></h1>

<h1 style=3D'margin-right:1.45pt;text-align:justify;line-height:normal;
page-break-after:auto'><span style=3D'font-size:12.0pt;font-family:"Bernhar=
dMod BT";
font-weight:normal'><o:p>&nbsp;</o:p></span></h1>

<h1 style=3D'margin-right:1.45pt;text-align:justify;line-height:normal;
page-break-after:auto'><span style=3D'font-size:12.0pt;font-family:"Bernhar=
dMod BT";
font-weight:normal'>Often people mistake this kind of love for emotional
dependence or even the fear of authority or some kind of weakness. But I ha=
ve
experienced it as a conscious choice to subordinate one&#8217;s ego to a hi=
gher
principle of truth which might be represented by a person you are in confli=
ct
with or even dislike strongly at that moment. It is only the fear of a
spiritual exile that makes me relax my hold on the egoistic movement within=
 me,
quieten the mind of the noise that wants to prove itself right, hush the
emotions that insist on feeling hurt by the other and fault finding, and ju=
st ignore
all the personal clamour in order to establish the higher truth of my own
being.<o:p></o:p></span></h1>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>For
a collective perfection, the most important thing is for each person to be
sincere to their own perfection. Until one really feels the liberty, the
equality, the fraternity of the soul, one has to still believe in it and ma=
ke
that a guiding principle in one&#8217;s relations with the others &#8211; f=
or
the perfection of the collective is as necessary for one&#8217;s own perfec=
tion
as one&#8217;s own perfection is necessary for the collective. And the way =
for
both is through a sincere consecration&#8230; &#8230; &#8230;<o:p></o:p></s=
pan></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>As
I pursue my own journey of self-perfection, I find it becomes more and more
important to offer the collective as well to the Mother&#8217;s light &#821=
1;
the physical space, the people, the work, the future &#8211; like a flower =
let
it open to the divine. For the collective too, it is the inner life that
determines its outer progress, and the answers for problems the organisatio=
n or
the group faces too have to be found in this collective inner life only. Co=
nscious
moments of coming together to meditate, to read something that takes us out=
 of
our narrow shells and connects us to the future, to the divine plan beyond =
us
&#8211; these moments are very important indeed in the life of a collective
&#8211; these are the breathing spaces for the group soul that has to be
nurtured by all, and especially by those who are its trustees. <o:p></o:p><=
/span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><u><span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>In brief</span></u>=
<span
style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>: Collective perfec=
tion
not only rests on individual perfection, it also completes the individual
perfection.<o:p></o:p></span></p>

<span style=3D'font-size:12.0pt;font-family:"BernhardMod BT";mso-fareast-fo=
nt-family:
"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'><br clear=3Dall
style=3D'page-break-before:always'>
</span>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:18.0pt;font-family:"BernhardMod BT"'>A Dyn=
amic
Aspiration</span></b><span style=3D'font-family:"BernhardMod BT"'><o:p></o:=
p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:3.0in;text-align:justify'><span
style=3D'font-size:10.0pt;font-family:"BernhardMod BT"'>When the aspiration=
 is
awake, each day brings us nearer to the goal. <o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'margin-left:3.0in;text-align:ri=
ght'><span
style=3D'font-size:6.0pt;font-family:"BernhardMod BT"'>The Mother<o:p></o:p=
></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>After
writing the last chapter I thought the monograph was over &#8211; till I
interacted with Ameeta over it. There was an important core that I had not
dwelled upon sufficiently and it was important to include it, even though t=
he
work on putting it into practice had only just begun &#8211; <o:p></o:p></s=
pan></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>&#8216;One
drop of practice is better than an ocean of theories,&#8217; says the Mothe=
r.
Each step that I have taken through this monograph has been like that of a
step-well. Just as I feel I have touched the core of the problem, yet anoth=
er
depth comes into life, seeking my attention. The need to inwardise and
intensify, the vital&#8217;s ill-will and non-collaboration, the need for
self-giving &#8211; all bring me to yet another great lack in the being &#8=
211;
the lack of a living, an &#8216;awake&#8217; aspiration. It is aspiration t=
hat
spontaneously engages the energies of the entire being to direct itself to a
self-giving.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>It
is not possible to control the vital by the mind. That control is superfici=
al
and precarious. The only true control is through the psychic, for that just
effectuates a change in the vital&#8217;s consciousness itself without even
imposing it. I have often experienced this inner influence of the psychic on
the vital when everything just falls into place effortlessly because a sinc=
ere
aspiration has evoked the urge for progress and the vital is moved to
collaborate on its own &#8211; it cannot resist the warmth that fills the h=
eart
&#8211; the mind falls quiet and there is a joy in just being in the right
energy, the psychic ether. The lever for this shift in consciousness genera=
lly
is the flame of aspiration. The challenge is to remain in touch with
one&#8217;s own aspiration.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>When
I meditate, or spend quiet time with the Mother, I experience the aspiratio=
n. I
feel like resting in it, enjoying that moment. But soon the need to experie=
nce
it in action too fills me with a yearning and it is no longer enough to rem=
ain
in that solitary atmosphere of aspiration. Every time I go to <st1:place w:=
st=3D"on"><st1:City
 w:st=3D"on">Pondicherry</st1:City></st1:place> for an inner rejuvenation, =
after
a week I am more than ready to come back, for this very reason. I have known
since long that for me sadhana is through work and the greatest challenge i=
s to
allow the inner joy, peace, aspiration, wisdom to guide and direct the outer
work.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b style=3D'mso-bidi-font=
-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>How c=
an I
make my aspiration dynamic and ever-living?<o:p></o:p></span></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>According
to Sri Aurobindo,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify'><span
style=3D'font-family:"BernhardMod BT"'>&#8220;It is the psychic that gives =
the
true aspiration &#8211; if the vital is purified and subjected to the psych=
ic,
then the vital gives intensity &#8211; but if it is unpurified it brings in=
 a
rajasic intensity with impatience and reactions of depression and
disappointment. As for the calm and equality needed, it must come down from
above through the mind.&#8221;<a style=3D'mso-footnote-id:ftn13' href=3D"#_=
ftn13"
name=3D"_ftnref13" title=3D""><span class=3DMsoFootnoteReference><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[13]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
vital intensity is important for the perfect execution of work, I have felt=
. I
have also experienced the vital&#8217;s impatience with the movement of
aspiration itself, and a need to just jump into action without inwardly
organizing oneself. The impulse is to get going, to achieve something. I fe=
el I
am being very true to the work in having such a drive. But a recent talk wi=
th
Ameeta has opened yet another dimension for me to explore &#8211; the
difference between motivation and aspiration. Even the highest motivation is
still not aspiration for it has a demand attached to it &#8211; it does not
matter what the nature of that demand is &#8211; it can be the highest poss=
ible
even. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>I
am reminded of Swami Vivekanand&#8217;s experience of being in dire need to
organize resources for his mother and Sri Ramakrishna directing him to ask =
it
of the Divine Mother. Not matter how many times Swami Vivekanand made the
effort to do so, by repeatedly going to the idol in order to pray, the only
prayer that arose in him was for self-giving.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>The
Mother explains the difference between a demand and an aspiration thus:<o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'>&#8220;In aspiration there is what I=
 might
call an unselfish flame which is not present in desire. Your aspiration is =
not
a turning back upon self &#8211; desire is always a turning back upon onese=
lf.
From the purely psychological point of view, aspiration is a self-giving,
always, while desire is always something which one draws to oneself; aspira=
tion
is something which gives itself, not necessarily in the form of thought but=
 in
the movement, in the vibration, in the vital impulse.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>True
aspiration does not come from the head; even when it is formulated by a
thought, it springs up like a flame from the heart.&#8221;<a style=3D'mso-f=
ootnote-id:
ftn14' href=3D"#_ftn14" name=3D"_ftnref14" title=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[14]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:1.0=
in'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>The first step therefor=
e, for
me, is to distinguish between demand and aspiration, between motivation and
aspiration, between desires, mental ideals and aspiration &#8211; to be very
alert to the flavour these movements bring to the action, alert to the inner
residue (as Ameeta put it) they leave me with &#8211; for, true aspiration
leaves no residue, it just fills the being with &#8220;a feeling of plenitu=
de,
of force, of an inner flame&#8221;<a style=3D'mso-footnote-id:ftn15'
href=3D"#_ftn15" name=3D"_ftnref15" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[15]</span></span><![endif]></span></span></a>
&#8211; there is a rightness about it, as if it could not have been any
different.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
1.0in'><span style=3D'font-family:"BernhardMod BT"'>In order to make the
aspiration living and dynamic, this emerges from my readings<a
style=3D'mso-footnote-id:ftn16' href=3D"#_ftn16" name=3D"_ftnref16" title=
=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[16]</span></span><![endif]></span></span></a>
as the possible action:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;text-indent:-=
.25in;
mso-list:l3 level1 lfo14;tab-stops:.5in 1.0in'><![if !supportLists]><span
style=3D'font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-fa=
mily:
Symbol'><span style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "=
Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-family:"BernhardMod BT"'=
>To
very consciously </span><b style=3D'mso-bidi-font-weight:normal'><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>nurture the inner f=
lame
of aspiration</span></b><span style=3D'font-family:"BernhardMod BT"'> throu=
gh
whatever means possible &#8211; meditation, invocation, time spent in nature
and beauty and silence, music, reading. In such moments it is a causeless
aspiration that rises up in the being, a prayer forms spontaneously or ther=
e is
just a feeling of being close to the Mother, of losing oneself in Sri
Aurobindo&#8217;s smile &#8211; it is a love that I experience for the divi=
ne,
and I know that if I could always experience this love, be totally,
passionately in love with the divine, all difficulties would be naught. The=
se
quiet moments help me to remember that love, to let the outer being experie=
nce
it and become accustomed to it.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.25in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5=
in 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;text-indent:-=
.25in;
mso-list:l3 level1 lfo14;tab-stops:.5in 1.0in'><![if !supportLists]><span
style=3D'font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-fa=
mily:
Symbol'><span style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "=
Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-family:"BernhardMod BT"'=
>To consciously
offer the day and its activities to the Mother (in the morning or the night
before), to make time for a </span><b style=3D'mso-bidi-font-weight:normal'=
><span
style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>conscious offering =
during
work</span></b><span style=3D'font-family:"BernhardMod BT"'> &#8211; before
starting a particular work &#8211; to offer that work to the Mother. My
experience shows that when I reach the Centre and jot down the works for the
day in my diary or re-look at those that are jotted down, it focuses me. Wh=
en I
do this same action as a meditation &#8211; by pausing on each task that is
written, holding it in my consciousness, making it come alive as if it were
happening, and raising it up through an invocation, it not only quietens me=
 and
connects me inwardly, it also gives me a greater, a deeper insight into the
work and aligns my energies to it. At times, it also sets into motion
circumstances so that without any other effort on my part, the work gets do=
ne
&#8211; for instance, the person I have been following up desperately for d=
ays,
calls up himself or walks into the office.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>At
the same time, I have to take care that this does not lead to a constant
self-watching, a turning upon oneself rather than a self-giving. Once the
offering has been made, the being must give itself fully to the work in han=
d,
rather than watching oneself &#8211; &#8216;Oh, am I aspiring or not?&#8217=
;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.25in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5=
in 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;text-indent:-=
.25in;
mso-list:l3 level1 lfo14;tab-stops:.5in 1.0in'><![if !supportLists]><span
style=3D'font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-fa=
mily:
Symbol'><span style=3D'mso-list:Ignore'>&middot;<span style=3D'font:7.0pt "=
Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span style=3D'font-family:"BernhardMod BT"'=
>There
is yet another aspect of this offering which is equally important &#8211; I
will make it clear with an example. There is a particular building at my
workplace that is facing a major termite problem. I distinctly notice three
stages in my response to the problem &#8211; the past, present and recent
present of my approach to work:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:1.0in;margin-bottom:.0001pt;text-align:justify;text-indent:
-.25in;mso-list:l15 level1 lfo15;tab-stops:.5in list 1.0in'><![if !supportL=
ists]><span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>1.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>My earlier reaction would be to avoid
tackling the problem.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:1.0in;margin-bottom:.0001pt;text-align:justify;text-indent:
-.25in;mso-list:l15 level1 lfo15;tab-stops:.5in list 1.0in'><![if !supportL=
ists]><span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>2.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>My present response is to move immed=
iately
into action, taking curative and preventive measures.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:1.0in;margin-bottom:.0001pt;text-align:justify;text-indent:
-.25in;mso-list:l15 level1 lfo15;tab-stops:.5in list 1.0in'><![if !supportL=
ists]><span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>3.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>My recently added response is also to
offer the problem to the Mother, open up the physical space to her so that =
Her
light can infuse it.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'>But now I realise that even this is =
not
enough. There is a fourth step that I must take:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:1.0in;margin-bottom:.0001pt;text-align:justify;text-indent:
-.25in;mso-list:l15 level1 lfo15;tab-stops:.5in 1.0in'><![if !supportLists]=
><span
style=3D'font-family:"BernhardMod BT";mso-fareast-font-family:"BernhardMod =
BT";
mso-bidi-font-family:"BernhardMod BT"'><span style=3D'mso-list:Ignore'>4.<s=
pan
style=3D'font:7.0pt "Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </spa=
n></span></span><![endif]><span
style=3D'font-family:"BernhardMod BT"'>Of adding to the offering, a quiet
penetration guided by the Mother that helps me to realise what is at the ro=
ot
of this problem &#8211; what is its source &#8211; in material as well as
subtler terms, so that my action is based on a more accurate and complete
knowledge. For this as I invoke and open up the physical space to Her, I mu=
st
aspire for an insight that shows me what lies hidden deep within &#8211; li=
ke
gaining an insight into the depth of an abyss with the help of divine light=
.<a
style=3D'mso-footnote-id:ftn17' href=3D"#_ftn17" name=3D"_ftnref17" title=
=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[17]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:1.45pt;margin-bot=
tom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'>Thus, </span><b style=3D'mso-bidi-fo=
nt-weight:
normal'><span style=3D'font-size:16.0pt;font-family:"BernhardMod BT"'>makin=
g a
concentrated effort to gain a deeper insight</span></b><span style=3D'font-=
family:
"BernhardMod BT"'> into a specific issue with aspiration and offering as the
two guiding lights is also needed. <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>I was quite struck=
 by
certain parallels and lessons to learn from the actor Tom Cruise&#8217;s
interview on the television recently.<a style=3D'mso-footnote-id:ftn18'
href=3D"#_ftn18" name=3D"_ftnref18" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[18]</span></span><![endif]></span></span></a>
He shared that he spends months living the character he has to enact,
completely identifying himself with its life &#8211; so much so that his own
identity exists no more; and when he goes for the shooting, all that work, =
that
research, that preparation is left aside. In that moment he is just that
character and allows it to interact with the situation afresh rather than
letting his own mental conceptions dictate how the character should respond=
 in
that scene. There is no judgment on whether that response is right or wrong=
, no
mental evaluation of how it should be or should not be. There is a total
self-giving to that moment.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>In my work it is t=
his
combination that I seek &#8211; of bringing in all one&#8217;s capacities,
knowledge, skills to bear upon a work in hand, yet being totally self-forge=
tful
and letting the moment evoke the best from me rather than trying to match t=
he
work to a mental ideal of perfection.<span
style=3D'mso-spacerun:yes'>&nbsp;&nbsp;&nbsp; </span><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>Though aspiration =
is the
key, even with aspiration the change does not happen in a day. It is the re=
peated
practice and inroads that one lets the light make into the areas of shadow =
that
take the being forward and make the change possible &#8211; from inside out
rather than a mentally imposed discipline. Therefore, even if one does not =
see
any outer result and continues to act unconsciously, egoistically,
self-regardingly, it is important not to give up this inner practice of
invocation and opening the being for the divine action.<o:p></o:p></span></=
p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>Sri Aurobindo poin=
ts out
that even with aspiration there would be intervals when it would seem that
nothing is happening. To have no such intervals is possible only when one is
&#8220;always inside consciously living in the psychic being.&#8221; Till t=
hat
stage is reached, one must prepare the mind, the vital and the physical thr=
ough
means that are in accord with one&#8217;s own nature and needs, without fee=
ling
that it is because of one&#8217;s lack of aspiration that the intervening
phases occur. And it is this preparation that will allow the Force to invoke
the psychic and lead one to a state where the aspiration is constant and
living.<a style=3D'mso-footnote-id:ftn19' href=3D"#_ftn19" name=3D"_ftnref1=
9" title=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[19]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>To make the aspira=
tion
living and dynamic&#8230; what finally emerges for me is the need to simply=
 </span><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:16.0pt;font-=
family:
"BernhardMod BT"'>love the Mother</span></b><span style=3D'font-family:"Ber=
nhardMod BT"'>
intensely, constantly. Perfection, self-consecration, aspiration &#8211; ev=
en
though all these are important steps on the way and I am far away from
attaining even these &#8211; within me there is a sense that finally, there=
 can
be no motives, no aims, nothing&#8230; except for this intense love for the
divine that consumes everything and yet makes everything live its true life=
&#8230;
&#8230; <o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'>&#8220;&#8230; a state higher than t=
hat of
adoration and surrender to the Divine, than that of devotion &#8230;; the l=
ast
stage of the progress is when there is no longer any distinction; you have =
no
longer this kind of adoration or surrender or consecration; it is a very si=
mple
state in which one makes no distinction between the Divine and oneself. &#8=
230;
There is no longer that kind of ecstatic surrender to &#8220;Something&#822=
1;
which is beyond you in every way, which you do not understand, which is mer=
ely
the result of your aspiration, your devotion. &#8230; When the union is
perfect, there is no longer any difference.&#8221;<a style=3D'mso-footnote-=
id:
ftn20' href=3D"#_ftn20" name=3D"_ftnref20" title=3D""><span
class=3DMsoFootnoteReference><span style=3D'mso-special-character:footnote'=
><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[20]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'>The Mother outline=
s the
way:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'>&#8220;Aspire for it, want it. Try t=
o be
less and less selfish, but not in the sense of becoming nice to other peopl=
e or
forgetting yourself, not that: have less and less the feeling that you are a
person, a separate entity, something existing in itself, isolated from the
rest.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>And
then, above all, above all, it is that inner flame, that aspiration, that n=
eed
for the light. It is a kind of &#8211; how to put it? &#8211; luminous
enthusiasm that seizes you. It is an irresistible need to melt away, to give
oneself, to exist only in the Divine.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>At
that moment you have the experience of your aspiration.<o:p></o:p></span></=
p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>But
that moment should be absolutely sincere and as integral as possible; and a=
ll
this must occur not only in the head, not only here, but must take place
everywhere, in all the cells of the body. The consciousness integrally must
have this irresistible need&#8230;. The thing lasts for some time, then
diminishes, gets extinguished. You cannot keep these things for very long. =
But
then it so happens that a moment later or the next day or some time later,
suddenly you have the opposite experience. Instead of feeling this ascent, =
and
all that, this is no longer there and you have the feeling of the Descent, =
the
Answer. And nothing but the Answer exists. Nothing but the divine thought, =
the
divine will, the divine energy, the divine action exists any longer. And you
too, you are no longer there.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-top:0in;margin-right:37.45pt;margin-bo=
ttom:
0in;margin-left:.5in;margin-bottom:.0001pt;text-align:justify;tab-stops:.5i=
n 1.0in'><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>That
is to say, it is the answer to our aspiration. It may happen immediately
afterwards &#8211; that is very rare but may happen. If you have both
simultaneously, then the state is perfect; usually they alternate; they
alternate more and more closely until the moment there is a total fusion. T=
hen
there is no more distinction.&#8221;<a style=3D'mso-footnote-id:ftn21'
href=3D"#_ftn21" name=3D"_ftnref21" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'mso-special-character:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:12.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[21]</span></span><![endif]></span></span></a><o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-right:1.45pt;text-align:justify;tab-st=
ops:
.5in 1.0in'><span style=3D'font-family:"BernhardMod BT"'><o:p>&nbsp;</o:p><=
/span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'>May
this journey begin&#8230; &#8230;<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"BernhardMod BT"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><b style=3D'm=
so-bidi-font-weight:
normal'><span style=3D'font-size:11.0pt;font-family:"BernhardMod BT"'>Anura=
dha<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><b style=3D'm=
so-bidi-font-weight:
normal'><span style=3D'font-size:8.0pt;font-family:"BernhardMod BT"'><o:p>&=
nbsp;</o:p></span></b></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-size:
8.0pt;font-family:"BernhardMod BT"'>15<sup>th</sup> November, 2006<o:p></o:=
p></span></p>

</div>

<div style=3D'mso-element:footnote-list'><![if !supportFootnotes]><br clear=
=3Dall>

<hr align=3Dleft size=3D1 width=3D"33%">

<![endif]>

<div style=3D'mso-element:footnote' id=3Dftn1>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn1'
href=3D"#_ftnref1" name=3D"_ftn1" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[1]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Nolini Kanta Gupta</b>, &#8216;The Na=
ture
of Perfection&#8217;, <i style=3D'mso-bidi-font-style:normal'>Collected Wor=
ks of
Nolini Kanta Gupta</i>, vol.1, pp.379-80, Nolini Kanta Gupta Birth Centenary
Celebrations Committee, Calcutta, 3<sup>rd</sup> ed., 1989<o:p></o:p></span=
></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn2>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn2'
href=3D"#_ftnref2" name=3D"_ftn2" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[2]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, <i style=3D'mso-bidi-=
font-style:
normal'>Prayers and Meditations</i> (Collected Works of The Mother, vol.1),
prayer dated November 9, 1914, p.293, Sri Aurobindo Ashram, <st1:City w:st=
=3D"on"><st1:place
 w:st=3D"on">Pondicherry</st1:place></st1:City><o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn3>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn3'
href=3D"#_ftnref3" name=3D"_ftn3" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[3]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span>Ibid.,
prayer of June 30, 1914, p.209<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn4>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn4'
href=3D"#_ftnref4" name=3D"_ftn4" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[4]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, <i style=3D'mso-bidi-=
font-style:
normal'>Collected Works of the Mother</i>, vol.2, p.159<o:p></o:p></span></=
p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn5>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn5'
href=3D"#_ftnref5" name=3D"_ftn5" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[5]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Nolini Kanta Gupta</b>, &#8216;When
Imperfection is Greater than Perfection&#8217;, <i style=3D'mso-bidi-font-s=
tyle:
normal'>Collected Works of Nolini Kanta Gupta</i>, vol.3, pp.270-71<o:p></o=
:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn6>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn6'
href=3D"#_ftnref6" name=3D"_ftn6" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[6]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span>Ibid,
&#8216;Perfection and Progress&#8217;, <i style=3D'mso-bidi-font-style:norm=
al'>Collected
Works of Nolini Kanta Gupta</i>, vol.4, pp.44-47<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn7>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn7'
href=3D"#_ftnref7" name=3D"_ftn7" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[7]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, <i style=3D'mso-bidi-=
font-style:
normal'>Collected Works of the Mother</i>, vol.16, p.320<o:p></o:p></span><=
/p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn8>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn8'
href=3D"#_ftnref8" name=3D"_ftn8" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[8]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, <i style=3D'mso-bidi-=
font-style:
normal'>Collected Works of the Mother</i>, vol.10, pp.308-09<o:p></o:p></sp=
an></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn9>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn9'
href=3D"#_ftnref9" name=3D"_ftn9" title=3D""><span class=3DMsoFootnoteRefer=
ence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[9]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Sri Aurobindo</b>, <i style=3D'mso-bi=
di-font-style:
normal'>Thoughts &amp; Aphorisms</i>, #330, Sri Aurobindo Ashram, <st1:City
w:st=3D"on"><st1:place w:st=3D"on">Pondicherry</st1:place></st1:City><o:p><=
/o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn10>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn10'
href=3D"#_ftnref10" name=3D"_ftn10" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[10]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <b style=3D'mso-bidi-font-weight:no=
rmal'>The
Mother</b>, <i style=3D'mso-bidi-font-style:normal'>Collected Works of the =
Mother</i>,
vol.2, pp.52-54<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn11>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn11'
href=3D"#_ftnref11" name=3D"_ftn11" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[11]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, <i style=3D'mso-bidi-=
font-style:
normal'>Collected Works of the Mother</i>, vol.10, p.308<o:p></o:p></span><=
/p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn12>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn12'
href=3D"#_ftnref12" name=3D"_ftn12" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[12]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-tab-count:1'>&nbs=
p;&nbsp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Sri Aurobindo</b>, <i style=3D'mso-bi=
di-font-style:
normal'>Thoughts &amp; Aphorisms</i>, #417<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn13>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn13'
href=3D"#_ftnref13" name=3D"_ftn13" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[13]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Sri Aurobindo</b>, cited in <i
style=3D'mso-bidi-font-style:normal'>Aspiration</i>, p.5, Yoga in Everyday =
Life
&#8211; Booklet Series &#8211; 4, Compiled by Vijay, Sri Aurobindo Society,=
 <st1:City
w:st=3D"on"><st1:place w:st=3D"on">Pondicherry</st1:place></st1:City>, 1986=
<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn14>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn14'
href=3D"#_ftnref14" name=3D"_ftn14" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[14]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, cited in <i
style=3D'mso-bidi-font-style:normal'>Aspiration</i>, pp.6-7<o:p></o:p></spa=
n></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn15>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn15'
href=3D"#_ftnref15" name=3D"_ftn15" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[15]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span>Ibid.,
p.8<span style=3D'mso-tab-count:1'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span> <=
o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn16>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn16'
href=3D"#_ftnref16" name=3D"_ftn16" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[16]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span>Reading
of Sri Aurobindo&#8217;s and the Mother&#8217;s words from the booklet <i
style=3D'mso-bidi-font-style:normal'>Aspiration</i><o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn17>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn17'
href=3D"#_ftnref17" name=3D"_ftn17" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[17]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span>After
writing the above, I did try out this approach. When I began I was doubtful
that I will arrive at any answer quickly. However, after I had offered the
problem to the Mother through writing and meditating, I spent some quiet
minutes identifying my consciousness with the physical space, entering the =
soil
underneath, trying to find the source of the problem. Gradually a sense aro=
se
in me that the building must be made to rest on a dry bed and that could be
done through the use of polythene and sand. On discussing with the contract=
or I
found that these indeed were sound options. It was interesting to see how t=
he
Mother responded even to such a tentative and nubile aspiration.<o:p></o:p>=
</span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn18>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn18'
href=3D"#_ftnref18" name=3D"_ftn18" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[18]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span>On
Sony Pix, in program ITAS (Inside the Actors Studio), Sunday, 5<sup>th</sup>
November, 2006, as aired in <st1:City w:st=3D"on">Delhi</st1:City>, <st1:pl=
ace
w:st=3D"on"><st1:country-region w:st=3D"on">India</st1:country-region></st1=
:place><o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn19>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn19'
href=3D"#_ftnref19" name=3D"_ftn19" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[19]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>Sri Aurobindo</b>, see <i style=3D'ms=
o-bidi-font-style:
normal'>Aspiration</i>, pp.15-16<o:p></o:p></span></p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn20>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn20'
href=3D"#_ftnref20" name=3D"_ftn20" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[20]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span><b
style=3D'mso-bidi-font-weight:normal'>The Mother</b>, cited in <i
style=3D'mso-bidi-font-style:normal'>Aspiration</i>, p.12<o:p></o:p></span>=
</p>

</div>

<div style=3D'mso-element:footnote' id=3Dftn21>

<p class=3DMsoFootnoteText style=3D'margin-left:.25in;text-align:justify;
text-indent:-.25in;tab-stops:.25in'><a style=3D'mso-footnote-id:ftn21'
href=3D"#_ftnref21" name=3D"_ftn21" title=3D""><span class=3DMsoFootnoteRef=
erence><span
style=3D'font-family:"BernhardMod BT"'><span style=3D'mso-special-character=
:footnote'><![if !supportFootnotes]><span
class=3DMsoFootnoteReference><span style=3D'font-size:10.0pt;font-family:"B=
ernhardMod BT";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'=
>[21]</span></span><![endif]></span></span></span></a><span
style=3D'font-family:"BernhardMod BT"'> <span style=3D'mso-tab-count:1'>&nb=
sp;&nbsp; </span>Ibid.,
pp.11-12<o:p></o:p></span></p>

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